The Cultures Ep 323: Virtual Travel Instructions

Listen to episode 323 of my weekly podcast with Andrea Phillips and Naomi Alderman:

  • Look for music from the country
  • Search on BBC Sounds (there’s a prog called World Music Road Trip and also sometimes stuff in From Our Own Correspondent)
  • Also try documentaries, especially Storyville
  • Find the best movie you’ve never seen from that country
  • Internet search for recipes from there
  • Look online for specialist ingredients
  • Is there takeaway from there one could get?
  • Can you do a few minutes of language learning via Duolingo etc? Just enough to say hello, goodbye, please and thank you?
  • Who’s their most famous writer? Read a short story
  • Have they ever had a movie up for best foreign picture Oscar, or best short or best documentary?
  • Where would you stay? Pick a hotel. Have a look on Google Street View to see where you “are”
  • Is there a board game (or video game!) from that country to try?
  • What sights would you try to see if you were there? Can you find virtual tours online?
  • What do people drink in a cafè or bar there?
  • Can you learn to sing something that’s popular there or written there?
  • Put the radio on all day from that country
  • Change your Twitter/social media localisation to that country
  • Is there a bath product/perfume/smell from there?

Postage Without Printing

Royal Mail recently announced it will start collecting parcels from people’s doorsteps for a small fee. While I understand this is pretty normal in the US, it’s a novelty in the UK and makes sending parcels just that little bit easier – all you need to do is buy your postage online and print out a label.

The problem is, not everyone has a printer. I do have a laser printer, which even before COVID was only used for those few tickets and boarding passes that couldn’t be saved to my phone, along with the occasional bits of postage: maybe only print ten or twenty pages a year. So anything that can drive that twenty pages down to zero and therefore eliminate the requirement for a printer entirely – thus saving money, hassle, and the environment – would be a total win.

Tickets and passes can become digital because the thing that needs the pass (you) can display it in a different way than paper (your phone). But postage is different, since the thing (your parcel) does not have an alternate display (its label). That label contains the destination of the parcel in human-readable plaintext, along with other stuff including a QR code verifying the parcel’s selected service (e.g. first class, second class, etc.), weight, dimensions, sender, account details, and so on.

The reason the label needs to be printed is because you can’t rely on humans to reproduce a machine-readable QR code with a pen. So that’s that – we’ll always need printers for postage.

Or do we? What if Royal Mail gave senders a unique string of characters that represented all the information currently in the QR code: something like XXXX-XXXX-XXXX-XXXX? Write that string on the parcel, and voila: no printing required.

Write the Address

Technically you could have only the unique string on the parcel since it has all information required, but I think you’d still want the destination on the parcel as well as a failsafe, and crucially, to make the posties’ lives easier.

Pay After Posting

Under this scheme, the sender would need to assess the postage required for their letter or parcel by weighing and measuring it. That’s not hard but it’s yet another step, and perhaps an unnecessary one since I assume Royal Mail must check whether parcels have the appropriate level of postage required. If they’re already doing that, and if I trust them to do it well, why not just let them charge me whatever’s required so I don’t have to measure and weigh myself?

So I’d set up an account with Royal Mail with my payment information, tell them I was sending something (maybe I’d take a photo), they’d give me my unique string (which now also includes my account info) and at some point during the delivery process they’d charge me for the correct amount.

OCR

I admit I have no idea how expensive or annoying it is for Royal Mail to read handwritten addresses versus scanning a QR code. But OCR is pretty good these days and we could help it along by selling cheap rolls of labels with specified areas for the unique string and the destination address, plus some orientation markers.

Something like this

This is more of an idle thought than a deeply-researched proposal: I’m not a postage expert so I’m sure there are obvious flaws. Still, I’ve spent a lot of money and time on posting things – my company has sent tens of thousands of parcels worldwide and I used to do it myself back when I sold Mars maps as a teenager (a story for another time). So I know the pain points on our side, at least!

On Acedia, and my new book A New History of the Future in 100 Objects

My new book, A New History of the Future in 100 Objects, is out today, and you can find it at your favourite local bookstore (via Bookshop.org) or Amazon US and Amazon UK.

If you’re thinking, “haven’t I read heard of this already?” it’s because this is a new edition of A History of the Future in 100 Objects, published by MIT Press. There are twenty brand new or completely rewritten objects on everything from basic maximum income and a fleet of geo-engineering to funerary monuments for billionaires. I also used the opportunity to weave more intricate links between the objects, while bringing them bang up to date for 2020. 

Here are reviews from the first edition of the book:

…Adrian Hon conjures a detailed and arresting vision of a late 21st century world where technology has helped us advance so far it’s hard to say what it means any more to be human.

Start the Week, BBC Radio 4

Although he exhibits plenty of skepticism, Hon is optimistic at heart. His imagined future is one of technological innovation and social betterment. With so much speculative fiction predicting doom and gloom over the next century, it’s refreshing to see such hopefulness. This is the Jetsons’ future, one that’s bright and beautiful and very, very shiny.

Grantland

And you can read the first six chapters of the original edition online!


It’s a weird time to be launching any book, let alone one about the future. It was hard enough to remain hopeful and write an optimistic vision of the next sixty years, and it’s still harder to justify sharing that vision when a pandemic rages across the planet and people who I know and love have lived with literal flames on the horizon.

And then I learned a word that spoke to this sense of paralysis, but also a way beyond it: acedia. It’s so apt I’m going to break the rules of book promotion and share part of Bruce Schneier’s post

Acedia was a malady that apparently plagued many medieval monks. It’s a sense of no longer caring about caring, not because one had become apathetic, but because somehow the whole structure of care had become jammed up.

…Moving around is what we do as creatures, and for that we need horizons. COVID-19 has erased many of the spatial and temporal horizons we rely on, even if we don’t notice them very often. We don’t know how the economy will look, how social life will go on, how our home routines will be changed, how work will be organized, how universities or the arts or local commerce will survive.

What unsettles us is not only fear of change. It’s that, if we can no longer trust in the future, many things become irrelevant, retrospectively pointless. And by that we mean from the perspective of a future whose basic shape we can no longer take for granted. This fundamentally disrupts how we weigh the value of what we are doing right now. It becomes especially hard under these conditions to hold on to the value in activities that, by their very nature, are future-directed, such as education or institution-building.

That’s what many of us are feeling. That’s today’s acedia.

Our horizons have been obscured by the smoke of so many fires that it feels impossible to plan for the future. Worse than impossible: pointless. 

But those horizons remain, and we can see them again by working together and caring for each other, using new tools and building new communities of care. And though my book imagines a hopeful future, this new edition is about hope in the face of desperate challenge. 

It’s about a country that remembers what democracy means, even as they’re governed by all-knowing, AI-enhanced ‘epistocrats’. 

It’s about people who choose to give up what they have to empty out half the world, so humanity has that much better chance of thriving. 

It’s about women poking fun and fighting back at politicians who try to control what they eat.

And it’s about the hundred exciting, scary, funny, tragic things that we will get to see.

Acedia, a lack of care that’s manifest in the world all around us, is something we can get through by caring for each other – and by imagining the future we can earn through that care. I hope my book can help you imagine that future.