I watched The Grand Budapest Hotel again tonight and was reminded of the story behind the film’s McGuffin, a fictional priceless Renaissance painting named Boy With Apple.
As you’d expect from a Wes Anderson movie, the painting was not made by a merely talented set painter, but by an acclaimed English painter, Michael Taylor. I love it when creators imbue their works with such meticulous attention to detail — it makes it worthwhile imagining what other things lie within their universes — and I love it just as much when audiences and critics go along with the game.